The Hands that Shut the Sun
Belkis Ayón, Lucy Beech, Knut Henrik Henriksen, Kim Lim, Eline McGeorge, Laura Ní Fhlaibhín, Charlie Prodger, Altoon Sultan, Cecilia Vicuña, Trevor Yeung
with glass poems by Lucy Mercer
14 March – 26 April 2025
Installation views: Eva Herzog and Andy Keate
Kim Lim, Dunhuang Series 1, 1988, lithograph, 75.5 x 55.5 cm
Kim Lim, Untitled, 1983, Portland stone, 25.5 x 33 x 5 cm, 41.5 x 26 x 5 cm
Kim Lim, Untitled, 1983, Portland stone, 25.5 x 33 x 5 cm, 41.5 x 26 x 5 cm
Knut Henrik Henriksen, Sad Flowers, 2025, porcelain powder, plaster, 32 x 12 x 12 cm
Knut Henrik Henriksen, Sad Flowers, 2025, porcelain powder, plaster, 32 x 12 x 12 cm
Knut Henrik Henriksen, Sad Flowers, 2025, porcelain powder, plaster, 54 x 20 x 25 cm
Knut Henrik Henriksen, Sad Flowers, 2025, porcelain powder, plaster, 54 x 20 x 25 cm
Cecilia Vicuña
Palo rojo (Precarios), c. 2015, wood, paint, 30.5 x 3.8 x 2.5 cm
Altar de greda (Precarios), 2019, white self-drying clay, stone and shells, 5.1 x 14.3 x 10.3 cm
Husk Seesaw (Precarios), 2023, mixed media, 33 x 5.1 x 5.1 cm
New found land (Precarios), c.2009, wood, bamboo, wire, plastic, thread, 15.2 x 7.6 x 5.1 cm
Ofrenda de polvo (Precarios), c.2000, wood, plastic, shell, thread, 3.8 x 11.4 x 5.1 cm
Husk Seesaw (Precarios), 2023, mixed media, 33 x 5.1 x 5.1 cm
Altar de greda (Precarios), 2019, white self-drying clay, stone and shells, 5.1 x 14.3 x 10.3 cm
Palo rojo (Precarios), c. 2015, wood, paint, 30.5 x 3.8 x 2.5 cm
Ofrenda de polvo (Precarios), c.2000, wood, plastic, shell, thread, 3.8 x 11.4 x 5.1 cm
New found land (Precarios), c.2009, Wood, bamboo, wire, plastic, thread, 15.2 x 7.6 x 5.1 cm
Altoon Sultan, Arms, 2023, egg tempera on calfskin parchment mounted on board, 38 x 25.4x 2 cm
Eline McGeorge, to be part to be many – canvas 2, 2024, water soluble oil paint and mushroom ink on canvas, 214 x 605 cm
Eline McGeorge, to be part to be many – canvas 2, 2024, water soluble oil paint and mushroom ink on canvas, 214 x 605 cm (detail)
Eline McGeorge, to be part to be many – canvas 2, 2024, water soluble oil paint and mushroom ink on canvas, 214 x 605 cm (detail)
Eline McGeorge, to be part to be many – canvas 2, 2024, water soluble oil paint and mushroom ink on canvas, 214 x 605 cm (detail)
Eline McGeorge, to be part to be many – canvas 2, 2024, water soluble oil paint and mushroom ink on canvas, 214 x 605 cm (detail)
Eline McGeorge, to be part to be many – canvas 2, 2024, water soluble oil paint and mushroom ink on canvas, 214 x 605 cm (detail)
Trevor Yeung, Night Mushroom in Dried Tank (Green Island), 2024, aquarium, lamps, adaptors, stones and artificial plants, 30 x 30 x 30 cm
Trevor Yeung, Night Mushroom in Dried Tank (Green Island), 2024, aquarium, lamps, adaptors, stones and artificial plants, 30 x 30 x 30 cm (detail)
Trevor Yeung, Dissolve into Nothing (4), 2022, mixed pigments on Chinese papers mounted on canvas, 25.5 x 20.5 cm
Trevor Yeung, Dissolve into Nothing (5), 2022, mixed pigments on Chinese papers mounted on canvas, 25.5 x 20.5 cm
Belkis Ayón
Untitled, c.1993, linocut, 36.4 x 29.3 cm
Untitled, 1993, colograph, 36 x 33 cm
Untitled, c.1994, linocut, 36.3 x 29.4 cm
Untitled, c.1993, linocut, 36.4 x 29.3 cm
Untitled, 1993, colograph, 36 x 33 cm
Untitled, c.1994, linocut, 36.3 x 29.4 cm
Lucy Mercer
Parmelia revoluta, 2025, glass poems
Physic stellaris, 2025, glass poems
Lucy Mercer
Parmelia revoluta, 2025, glass poems
Physic stellaris, 2025, glass poems
Laura Ní Fhlaibhín, Bob, Síofra, Jack, Allanah, Séan, 2024, ash wood, plexiglas, horse salt lick, 120 x 15 x 15 cm (each)
Lucy Beech, Flush, 2023, 4K video, 15 minutes
Lucy Beech, Flush, 2023, 4K video, 15 minutes