Candace Hill-Montgomery: A Bare Woman Mutters Nothing…

5 June – 18 July 2026

Press release

Companions text: Commas in Enemy Territory (The Hornet Flies I Triangle), Helen Marten; Whose Funeral Is This? Simone White

Listen to Candace Hill-Montgomery in conversation with Amy Tobin

Installation views. Photo: Eva Herzog

Quilt Mixing Proverbial Wisdom Without Poaching Fish In’, 1999, ink, Sharpie, and embroidery on cotton, 125 x 142 cm

Concept Doubles While Shorts on Circumstance Rumbles, 2026, wool, linen, mohair, Katanga Cross, silk taffeta, rawhide and Punis, 53 x 31 x 7 cm

Debí tirar más fotos de frutas cuando te tuve V, 1992 – 2026, archival digital C-type print on Dibond. 50.9 x 34.3 x 2 cm
DIAL’s It Up or (i Dew wanna leave here pollinated) II, 1992 – 2026, archival digital C-type print on Dibond, 50.9 x 34.3 x 2 cm

Debí tirar más fotos de frutas cuando te tuve IV, 1992 – 2026, archival digital C-type print on Dibond, 50.9 x 34.3 x 2 cm

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ConFront Connection Spread’D, 2026, cashmere, wool mohair, raw silk, hand-painted yarn, Japanese threads, leather, suede, and linen, with metal elements repurposed from a cache-sexe (c. 19th – 20th c.), 50 x 33 x 4 cm

Vs Garden Fresh, 2026, aluminium hanger, vegetable wire, leather, fine kid mohair, silk, oxidised steel, cotton, 62.5 x 54 x 6 cm

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Our Historic Children Sag Harbor Hills, 1971, oil on canvas 124.3 x 103.6 x 3.5 cm

The Museum Grade Dust Wide Brushoff Expo, 2014, marker and oil on canvas board, 27.9 x 22.2 x 3.5 cm