An Insular Rococo

Julie Becker, K.R.M. Mooney, Jack O’Brien, Charlotte Prodger, Anne Tallentire

8 July – 24 September 2022

Press Release

K.R.M. Mooney, Citations, 2021, brass, verdigris, steel, 87.6 x 12.7 cm

K.R.M. Mooney, Citations, 2021, brass, verdigris, steel, 87.6 x 12.7 cm

K.R.M. Mooney, Detrition (i), 2019, GRS specialised jewellers vice, aluminium, delft sand, silver, 12.7 x 12.7 x 17.8 cm

K.R.M. Mooney, Detrition (i), 2019, GRS specialised jewellers vice, aluminium, delft sand, silver, 12.7 x 12.7 x 17.8 cm

Charlotte Prodger, Orca Matrilineal Pod Tsitika, 2016, screenprint on Somerset Satin, 113 x 76 cm
Charlotte Prodger, Orca Matrilineal Pod Yakat, 2016, screenprint on Somerset Satin, 113 x 76 cm
Charlotte Prodger, Forest Hills/Oregon Dacite, 2013-2016, powder-coated aluminium, two Sony PVM 14M2E video monitors, Beyerdynamic DT700 headphones, two Pioneer V73000 DVD players, two looped DVDs, stand: 130 x 105 x 45 cm, monitor: 34.6 x 34 x 43.1cm
Jack O’Brien, Whiplash II, 2022, white shirt, bottle of wine, horsehair braid, epoxy putty, 102 x 27 x 31 cm

Jack O’Brien, Whiplash II, 2022, white shirt, bottle of wine, horsehair braid, epoxy putty, 102 x 27 x 31 cm [detail]

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Jack O’Brien, Whiplash I, 2022, white shirt, bottle of wine, horsehair braid, 84 x 20 x 14 cm

Jack O’Brien, Whiplash I, 2022, white shirt, bottle of wine, horsehair braid, 84 x 20 x 14 cm [detail]

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Jack O’Brien, Dome, 2022, white shirt, halogen bulbs, PVC nano-tape, 80 x 24 x 54 cm

Julie Becker, (i) Whole (Screen) (ii) Whole (Notepad), 1999, c-print mounted on aluminium 128.8 x 85.7 cm (each)

Anne Tallentire, Fence, 2021, wall drawing, masking tape 384 x 234 cm

Anne Tallentire, Turn IV, 2016, fibre woven film fabric, aluminium, foil tape, 60 x 60 x 2 cm