An excessive ellipse, a sort of distribution
Andrea Büttner, Cynthia Hawkins, Mitchell Kehe, Liz Magor, Josephine Pryde
30 June – 5 August 2023
Andrea Büttner, Minerva, 2011, HD video, 5 minutes 40 seconds
Andrea Büttner, Phone Etching, 2015, 195 x 112 cm
Andrea Büttner, Monobloc chairs, 2010-12, digital slideshow, dimensions variable (44 images)
Mitchell Kehe, Untitled, 2021-22, oil and acrylic on synthetic fabric, 139.7 x 119.3 x 2.5 cm
Mitchell Kehe, Untitled, 2020–22, masking tape and PVA on polyester fabric over oil on panel, 45.7 x 35.5 x 2.54 cm
Mitchell Kehe, Untitled, 2020–22, oil, acrylic, charcoal, enamel and cut fabric on panel, 142.2 x 104.1 x 3.2 cm
Josephine Pryde, N-CT-W 3 (Ø), N-CT-W 4 (Ø), N-CT-W 5 (Ø), N-CT-W 6 (Ø), N-CT-W 1 (Ø-E), 2022, chromogenic prints, 42.5 x 51.5 cm [each]
Josephine Pryde, N-CT-W 3 (Ø), 2022, chromogenic print, 42.5 x 51.5 cm
Josephine Pryde, N-CT-W 4 (Ø), 2022, chromogenic print, 42.5 x 51.5 cm
Josephine Pryde, N-CT-W 5 (Ø), 2022, chromogenic print, 42.5 x 51.5 cm
Josephine Pryde, N-CT-W 6 (Ø), 2022, chromogenic print, 42.5 x 51.5 cm
Josephine Pryde, N-CT-W 1 (Ø-E), 2022, chromogenic print, 42.5 x 51.5 cm
Cynthia Hawkins, Signs of Civilization #7, 2007–10, acrylic and oil bar on paper, 73.7 x 104.1 cm
Cynthia Hawkins, Signs of Civilization #9, 2007–10, acrylic and oil bar on paper, 74.9 x 106 cm
Liz Magor, Paradise Bird, 2019, silicon rubber, wool, 50 x 70 x 15 cm
Liz Magor, Paradise Bird, 2019, silicon rubber, wool, 15 x 50 x 70 cm [detail]
Liz Magor, W, 2019, silicon rubber, wool, 13 x 52 x 52 cm
Liz Magor, Woollen Blanket, 2019, silicon rubber, wool, 51 x 51 x 9 cm